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A Midsummer Night's Dream Op. 64, ACT ONE: You spotted snakes with double tongues (Fairies)

A Midsummer Night's Dream Op. 64, ACT ONE: You spotted snakes with double tongues (Fairies)

By Lillian Watson, Lilian Watson, Norman Bailey, Penelope Walker, Henry Herford, Della Jones, Jill Gomez, Donald Maxwell, Roger Bryson, Crispian Steele-Perkins, Trinity Boys' Choir, City of London Sinfonia, Richard Hickox & Penelope Walker (Mezzo-Soprano) Classical 01/01/1993
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More Music from Lillian Watson, Lilian Watson, Norman Bailey, Penelope Walker, Henry Herford, Della Jones, Jill Gomez, Donald Maxwell, Roger Bryson, Crispian Steele-Perkins, Trinity Boys' Choir, City of London Sinfonia, Richard Hickox & Penelope Walker (Mezzo-Soprano)
L'Elisir D'Amore: Io Son Ricco... Plácido Domingo, John Pritchard, Geraint Evans, Ingvar Wixell, Lillian Watson, Ileana Cotrubas, Robin Stapleton, Chorus of the Royal Opera House, Covent Garden & Orchestra of the Royal Opera House, Covent Garden
L'Elisir D'Amore: Io Son Ricco...
A Midsummer Night's Dream, Op. 64, Act 2:
A Midsummer Night's Dream, Op. 64, Act 2: "Be Kind and Courteous to This Gentleman" (Tytania)
A Midsummer Night's Dream, Op. 64, Act 1:
A Midsummer Night's Dream, Op. 64, Act 1: "Come, Now a Roundel and a Fairy Song" (Tytania)
A Midsummer Night's Dream, Op. 64, Act 3:
A Midsummer Night's Dream, Op. 64, Act 3: "Now the Hungry Lion Roars" (Fairies, Puck, Oberon, Tytania)
A Midsummer Night's Dream, Op. 61, MWV M13: No. 3, Song with Chorus.
A Midsummer Night's Dream, Op. 61, MWV M13: No. 3, Song with Chorus. "You Spotted Snakes"
A Midsummer Night's Dream, Op. 64, Act 1:
A Midsummer Night's Dream, Op. 64, Act 1: "Oberon Is Passing Fell and Wrath" (Fairies, Oberon, Tytania)
The Geisha: Act 1 No. 4. Song: The Amorous Goldfish (Mimosa) New London Orchestra, Ronald Corp & Lillian Watson
The Geisha: Act 1 No. 4. Song: The Amorous Goldfish (Mimosa)
The Turn of the Screw, Op. 54, Act 2: Interlude: Variation XIV - Scene 7: Flora Ava June, Helen Donath, Heather Harper, Lillian Watson, Sir Colin Davis & Orchestra of the Royal Opera House, Covent Garden
The Turn of the Screw, Op. 54, Act 2: Interlude: Variation XIV - Scene 7: Flora
A Midsummer Night's Dream, Op. 64, Act 3:
A Midsummer Night's Dream, Op. 64, Act 3: "My Gentle Robin" (Oberon, Tytania, Puck)
A Midsummer Night's Dream Op. 64, ACT ONE: You spotted snakes with double tongues (Fairies) Lillian Watson, Lilian Watson, Norman Bailey, Penelope Walker, Henry Herford, Della Jones, Jill Gomez, Donald Maxwell, Roger Bryson, Crispian Steele-Perkins, Trinity Boys' Choir, City of London Sinfonia, Richard Hickox & Penelope Walker (Mezzo-Soprano)
A Midsummer Night's Dream Op. 64, ACT ONE: You spotted snakes with double tongues (Fairies)
L'Elisir D'Amore: Scene 8 - Una furtiva lagrima Plácido Domingo, John Pritchard, Geraint Evans, Ingvar Wixell, Lillian Watson, Ileana Cotrubas, Robin Stapleton, Chorus of the Royal Opera House, Covent Garden & Orchestra of the Royal Opera House, Covent Garden
L'Elisir D'Amore: Scene 8 - Una furtiva lagrima
A Midsummer Night's Dream, Op. 61, MWV M13: No. 13, Finale.
A Midsummer Night's Dream, Op. 61, MWV M13: No. 13, Finale. "Tro' This House Give Glim'ring Light"
The Geisha: Act 2 No. 5. Song: The Jewel of Asia (Mimosa) New London Orchestra, Ronald Corp & Lillian Watson
The Geisha: Act 2 No. 5. Song: The Jewel of Asia (Mimosa)
Die Entführung aus dem Serail: Act 3
Die Entführung aus dem Serail: Act 3 "Nie werd' ich deine Huld verkennen" [Belmonte, Konstanze, Blonde, Pedrillo, Osmin, Chorus]
Die Entführung aus dem Serail: Act 2
Die Entführung aus dem Serail: Act 2 "Welche Wonne, welche Lust" [Blonde]
Die Entführung aus dem Serail: Act 2
Die Entführung aus dem Serail: Act 2 "Ich gehe, doch rate ich dir" [Blonde, Osmin]
The Turn of the Screw, Op. 54, Act 2: Interlude: Variation XIII - Scene 6: The Piano Helen Donath, Ava June, Lillian Watson, Sir Colin Davis & Orchestra of the Royal Opera House, Covent Garden
The Turn of the Screw, Op. 54, Act 2: Interlude: Variation XIII - Scene 6: The Piano
Le nozze di Figaro, K. 492, Act IV:
Le nozze di Figaro, K. 492, Act IV: "Gente, gente, all'armi"
Die Zauberflöte, K. 620, Act II:
Die Zauberflöte, K. 620, Act II: "Ein Mädchen oder Weibchen"
Die Zauberflöte, K. 620, Act II:
Die Zauberflöte, K. 620, Act II: "Pa-Pa-Pa-Pa-Pa-Pa-Papagena!"
Vattene pur, crudel - (T. Tasso, Gerusalemme liberata, Canto XVI)/Madrigali a 5 voci (Book III): Pt. I:
Vattene pur, crudel - (T. Tasso, Gerusalemme liberata, Canto XVI)/Madrigali a 5 voci (Book III): Pt. I: "Vattene pur, crudel" - Pt. II: "Là tra'l sangu' e le morti" - Pt. III: "Poi ch'ella in sè tornò"
L'Elisir D'Amore: Qua la Mano Plácido Domingo, John Pritchard, Geraint Evans, Ingvar Wixell, Lillian Watson, Ileana Cotrubas, Robin Stapleton, Chorus of the Royal Opera House, Covent Garden & Orchestra of the Royal Opera House, Covent Garden
L'Elisir D'Amore: Qua la Mano
A Midsummer Night's Dream, Op. 64, Act 2:
A Midsummer Night's Dream, Op. 64, Act 2: "I See Their Knavery" (Bottom, Tytania, Fairies)
Fidelio, Op. 72, Act I: Marzelline? Marzelline? (Live) Eva Marton, Aage Haugland, Lillian Watson, Vienna Philharmonic & Lorin Maazel
Fidelio, Op. 72, Act I: Marzelline? Marzelline? (Live)
The Turn of the Screw, Op. 54, Act 1: Interlude: Variation VII - Scene 8: At Night Robert Tear, Michael Ginn, Lillian Watson, Heather Harper, Helen Donath, Ava June, Sir Colin Davis & Orchestra of the Royal Opera House, Covent Garden
The Turn of the Screw, Op. 54, Act 1: Interlude: Variation VII - Scene 8: At Night
O come è gran martire - (G.B. Guarini)/Madrigali a 5 voci (Book III) Sheila Armstrong, Wendy Eathorne, Lillian Watson, Alfreda Hodgson, Anne Collins, Gerald English, Ian Partridge, Stafford Dean, Christopher Keyte, Members of the Glyndebourne Opera Chorus & Raymond Leppard
O come è gran martire - (G.B. Guarini)/Madrigali a 5 voci (Book III)
The Geisha, Act I: No. 10, Song. A Geisha's Life (Mimosa) Lillian Watson, Ronald Corp & New London Orchestra
The Geisha, Act I: No. 10, Song. A Geisha's Life (Mimosa)
L'Elisir D'Amore: Scene 1 - Prelude Plácido Domingo, John Pritchard, Geraint Evans, Ingvar Wixell, Lillian Watson, Ileana Cotrubas, Robin Stapleton, Chorus of the Royal Opera House, Covent Garden & Orchestra of the Royal Opera House, Covent Garden
L'Elisir D'Amore: Scene 1 - Prelude
L'Elisir D'Amore: Così Chiaro Plácido Domingo, John Pritchard, Geraint Evans, Ingvar Wixell, Lillian Watson, Ileana Cotrubas, Robin Stapleton, Chorus of the Royal Opera House, Covent Garden & Orchestra of the Royal Opera House, Covent Garden
L'Elisir D'Amore: Così Chiaro
The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: Put it down fast! Harašta, Harašta! ( Sir Simon Rattle, Orchestra of the Royal Opera House, Covent Garden, Nicholas Folwell, Lillian Watson & Orchestra of the Royal Opera House, Covent Garden
The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: Put it down fast! Harašta, Harašta! (
L'Elisir D'Amore: Bella Adina! Plácido Domingo, John Pritchard, Geraint Evans, Ingvar Wixell, Lillian Watson, Ileana Cotrubas, Robin Stapleton, Chorus of the Royal Opera House, Covent Garden & Orchestra of the Royal Opera House, Covent Garden
L'Elisir D'Amore: Bella Adina!
A Midsummer Night's Dream, Op. 61, MWV M13: No. 13, Finale.
A Midsummer Night's Dream, Op. 61, MWV M13: No. 13, Finale. "Tro' This House Give Glim'ring Light"
Le nozze di Figaro, K. 492:
Le nozze di Figaro, K. 492: "Gente, Gente, All'armi"
L'Elisir D'Amore: Scene 6 - (Adir. Ha Forse Il Cielo...) Plácido Domingo, John Pritchard, Geraint Evans, Ingvar Wixell, Lillian Watson, Ileana Cotrubas, Robin Stapleton, Chorus of the Royal Opera House, Covent Garden & Orchestra of the Royal Opera House, Covent Garden
L'Elisir D'Amore: Scene 6 - (Adir. Ha Forse Il Cielo...)
Paul Bunyan, Op. 17, Act II Scene 2: Litany (Fido, Moppet, Poppet, Tiny, Slim, Paul Bunyan, Hel Helson, Inkslinger, Chorus) Richard Hickox, Orchestra of the Royal Opera House, Covent Garden, Kenneth Cranham, Lillian Watson, Pamela Helen Stephen, Leah-Marian Jones, Susan Gritton, Timothy Robinson & Orchestra of the Royal Opera House, Covent Garden
Paul Bunyan, Op. 17, Act II Scene 2: Litany (Fido, Moppet, Poppet, Tiny, Slim, Paul Bunyan, Hel Helson, Inkslinger, Chorus)
The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: How many children do we have? (Fox, V Sir Simon Rattle, Orchestra of the Royal Opera House, Covent Garden, Lillian Watson, Diana Montague, Nicholas Folwell & Orchestra of the Royal Opera House, Covent Garden
The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: How many children do we have? (Fox, V
Fidelio, Op. 72, Act I: Mir ist so wunderbar (Live) Eva Marton, Aage Haugland, Lillian Watson, Thomas Moser, Vienna Philharmonic & Lorin Maazel
Fidelio, Op. 72, Act I: Mir ist so wunderbar (Live)
The Geisha: Act 1 No. 5. Duet: The Kissing (Fairfax/Mimosa) New London Orchestra, Ronald Corp, Christopher Maltman & Lillian Watson
The Geisha: Act 1 No. 5. Duet: The Kissing (Fairfax/Mimosa)
Die Zauberflöte, K. 620, Act 2:
Die Zauberflöte, K. 620, Act 2: "Pa-Pa-Pa-Pa-Pa-Pa-Papagena!"
Sovra tenere herbette - Madrigali a 5 voci (Book III) Sheila Armstrong, Wendy Eathorne, Lillian Watson, Alfreda Hodgson, Anne Collins, Gerald English, Ian Partridge, Stafford Dean, Christopher Keyte, Members of the Glyndebourne Opera Chorus & Raymond Leppard
Sovra tenere herbette - Madrigali a 5 voci (Book III)
Il quarto libro de madrigali (1603): Longe da te cor mio Sheila Armstrong, Wendy Eathorne, Lillian Watson, Alfreda Hodgson, Helen Watts, Bernard Dickerson, Robert Tear, Stafford Dean, Christopher Keyte, Members of the Glyndebourne Opera Chorus & Raymond Leppard
Il quarto libro de madrigali (1603): Longe da te cor mio
The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Look at how big she's grown! (Forester, Forester's Wife, Vixen, Dog) Sir Simon Rattle, Orchestra of the Royal Opera House, Covent Garden, Sir Thomas Allen, Gillian Knight, Lillian Watson, Karen Shelby & Orchestra of the Royal Opera House, Covent Garden
The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Look at how big she's grown! (Forester, Forester's Wife, Vixen, Dog)
Fidelio, Op. 72, Act I: O war' ich schon mit dir vereint (Live) Lillian Watson, Vienna Philharmonic & Lorin Maazel
Fidelio, Op. 72, Act I: O war' ich schon mit dir vereint (Live)
The Cunning Little Vixen, Act I. Sharp-Ears as a Politician: Sisters! Comrades! (Vixen, Hens, Rooster) Sir Simon Rattle, Orchestra of the Royal Opera House, Covent Garden, Lillian Watson, Mary King, Royal Opera House Chorus & Orchestra of the Royal Opera House, Covent Garden
The Cunning Little Vixen, Act I. Sharp-Ears as a Politician: Sisters! Comrades! (Vixen, Hens, Rooster)
Die Entführung aus dem Serail: Act 2
Die Entführung aus dem Serail: Act 2 "Wie traurig das gute Mädchen daherkommt" [Blonde]
L'Elisir D'Amore: Una Tenera Occhiatina Plácido Domingo, John Pritchard, Geraint Evans, Ingvar Wixell, Lillian Watson, Ileana Cotrubas, Robin Stapleton, Chorus of the Royal Opera House, Covent Garden & Orchestra of the Royal Opera House, Covent Garden
L'Elisir D'Amore: Una Tenera Occhiatina
L'Elisir D'Amore: Ei Corregge Ogni Difetto Plácido Domingo, John Pritchard, Geraint Evans, Ingvar Wixell, Lillian Watson, Ileana Cotrubas, Robin Stapleton, Chorus of the Royal Opera House, Covent Garden & Orchestra of the Royal Opera House, Covent Garden
L'Elisir D'Amore: Ei Corregge Ogni Difetto
Perfidissimo volto - (G.B. Guarini)/Madrigali a 5 voci (Book III) Sheila Armstrong, Wendy Eathorne, Lillian Watson, Alfreda Hodgson, Anne Collins, Gerald English, Ian Partridge, Stafford Dean, Christopher Keyte, Members of the Glyndebourne Opera Chorus & Raymond Leppard
Perfidissimo volto - (G.B. Guarini)/Madrigali a 5 voci (Book III)
The Turn of the Screw, Op. 54, Act 2: Interlude: Variation IX - Scene 2: The Bells Michael Ginn, Lillian Watson, Ava June, Helen Donath, Sir Colin Davis & Orchestra of the Royal Opera House, Covent Garden
The Turn of the Screw, Op. 54, Act 2: Interlude: Variation IX - Scene 2: The Bells
Le nozze di Figaro, K. 492, Act IV:
Le nozze di Figaro, K. 492, Act IV: "Nel padiglione a manca"
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